Skip to content
Daily Online Media UK

Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Critical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder Geoff Barrow, this scabrous though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a grimly amusing standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in British and Irish theaters from November 17.

Written by

Samuel Hall MD

A seasoned journalist with over a decade of experience covering digital media and cultural shifts, Evelyn brings a fresh perspective to online storytelling.

Daily Online Media UK

Type to search articles.